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tweetle_beetle

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www.architectsjournal.co.uk 1y ago

We need to talk about Saudi Arabia

tweetle_beetle
42pts64
www.theguardian.com 2y ago

Tory MPs paid £100k of public funds to party's in-house web designers

tweetle_beetle
2pts0
jkorpela.fi 2y ago

Using accesskey attribute in HTML forms and links (2006)

tweetle_beetle
33pts12
news.un.org 2y ago

Buckling up to save lives: UN celebrates five decades of seat belt laws

tweetle_beetle
4pts0
cxong.github.io 2y ago

C-Dogs 1.5.0 Released

tweetle_beetle
2pts0
news.ycombinator.com 3y ago

Ask HN: What's a Game Boy Printer experience today?

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1pts0
www.rush-2049.com 3y ago

Atari Games SF Rush 2049

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1pts0
www.autocar.co.uk 4y ago

McMurtry Speirling sets new Goodwood hillclimb record

tweetle_beetle
2pts0
github.com 4y ago

DAVx⁵ 4.x Release Notes

tweetle_beetle
2pts0
artbase.rhizome.org 4y ago

Rhizome Artbase

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1pts0
k9mail.app 4y ago

K-9 Mail 6.000

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187pts81
ember-climate.org 4y ago

Ember European Electricity Review 2022

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1pts0
spudoogle.com 4y ago

Spudoogle

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5pts2
grids.obys.agency 4y ago

Grids

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2pts0
nikebiz.blogspot.com 4y ago

Nikebiz: The Story

tweetle_beetle
1pts0
marginalhacks.com 4y ago

MarginalHacks

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1pts1
news.ycombinator.com 4y ago

Ask HN: What web analytics strategy do you use in the era of blocked cookies/JS?

tweetle_beetle
2pts4
toplevel.design 4y ago

Top Level Design’s .design Domain to Be Acquired by GoDaddy Registry

tweetle_beetle
1pts0
www.theregister.com 5y ago

UK's National Rail backs down from greyscale website tribute to Prince Phil

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2pts0
hackaday.com 5y ago

Wet Country Wireless; How British Weather Killed a Billion Pound Tech Company

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101pts56
ikeamuseum.com 5y ago

Premiere for the IKEA Catalogues Online

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2pts0
unicornycopia.com 5y ago

Electric Zine Maker

tweetle_beetle
1pts0
keyhut.com 5y ago

Why does this site look so crappy?

tweetle_beetle
5pts1
brokeassstuart.com 5y ago

DoorDash Spent $5.5M to Advertise Their $1M Charity Donation

tweetle_beetle
123pts23
www.theregister.com 5y ago

Trump's last financial docs reveal Tim Cook gave Mac Pro, 'first' made in Texas

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1pts0
liliputing.com 5y ago

GPD Win 3 Preview (handheld gaming PC with Intel Iris Xe graphics)

tweetle_beetle
3pts0
1984hosting.com 5y ago

Crash report of the I/O failure at 1984 on 15 November 2017 [pdf]

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1pts0
www.bbc.co.uk 5y ago

Brexit: UK must 'get ready' for no EU trade deal, says PM

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www.bbc.co.uk 5y ago

Hydrogen-powered train makes UK maiden journey

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1pts0
covid19.nhs.uk 5y ago

Risk-scoring algorithm – Technical information

tweetle_beetle
1pts0

So when would that be exactly? Firefox was first released in 2004 and Mozilla Corporation was founded in 2005.

According to https://gs.statcounter.com/browser-market-share#yearly-2014-... the high point for adoption was 2010 and it has been falling since then. (However, they only have data from 2010 onwards, so the high point could have been even earlier.) This coincidentally [sic] aligns to the launch of Chrome with a massive marketing push in 2008, promising speed, ease of use and security.

I find it hard to believe that there are enough people who closely follow the drama around the internal financial management and politics of Mozilla Corporation that they can be measured in the tens of percentage points of total internet market share.

A salary of £180k put you in the 98th percentile of UK salaries in 2024 (99th percentile was only a little higher at £207k) [1]. With a household income approximately doubling that, i'd suggest your friend is in an even smaller minority.

The average house price in London in July 2025 was £565k [pp33 - 2].

There is not being able to afford something and then there is not being able to afford exactly what you want.

[1] https://www.gov.uk/government/collections/personal-incomes-s... [2] https://data.london.gov.uk/download/24rpx/37w/Housing%20in%2...

My client was a utility company

Adding a lot of pressure, this was a regulated monopoly

Some requirements I derived: ... We had to meet WCAG accessibility (the team settled on AA rather than AAA)

The author doesn't doxx their employer by giving any dates, but if we take the story at face value and assume it took place in last few years, it is pretty shocking.

How does it take a single hero to be fighting for AA compliance as an afterthought for a project with this scope in the 2020s?

I've worked on much more niche projects that treated this with the respect it deserves as a quasi-legal requirement.

I suspect that most government departments see data centers as a liability and are very happy to outsource to the big providers, apart perhaps from the ones hosting stuff they don't really want you to know about.

It's always better to be able to blame a supplier for something going wrong if you're a senior leader or politician. For some reason, if it does happen no one has to resign.

There is loads of UK Critical National Infrastructure on AWS, probably Azure too. And the Home Office put up £10 million tender to shut down an old data centre not that long ago without a confirmed replacement - https://www.find-tender.service.gov.uk/Notice/018193-2024

Ferrari Luce 2 months ago

The page proclaims "A Ferrari is forever" underneath showcasing an app for chasing climate control. Durability/preservation and companion apps don't go hand in hand.

It could be like the specialist supercar garages keeping a specific model of 90s Compaq laptop which run DOS with custom cards as they're the only way to interface with McLarens F1s. In 2050: "We keep an iPhone 13 with the app loaded which has never been allowed to connect to the internet so we can move the seats back".

Isn't Venice as problematic/artificial as suburbia in its own way? If you're saying car-free then I assume you mean the centre, where the real population is tiny (compared to San Francisco at <50k), aging, declining amd dwarfed by tourists. My understanding is that it's increasingly meeting needs of tens of millions of ultra short term visitors rather than real communities. It feels like there must be a wide range of happy medium places in between.

That said, I'm not sure if new certifications are still being accepted. So there may have been uncertified Dogme95-compliant films made since that was never been in the official list.

To extend your metaphor further, it would be like also giving them performance bonuses and building them a new home office which they then rent out on AirBnB on the strength of those predictions.

Tesla acquired SolarCity for $2.6 billion partly on the strength of this vision [of producing thousands

I once met someone who refused to engage with leadership using his team's story points as a direct measure of productivity. To make it harder to extract the data and compare against other teams, they moved to using names of animals to represent types of task associated with differing amounts of uncertainty.

I've also seen a supplier who was asked to provide some kind of tracking, where literally nothing existed. Their delivery team produced reports with story points per person, per task, per sprint. Every sprint, every person hit their target month after month after month. They were asked to stop.

Amusing that's he's praised the original for it's lack of precision and predictability, which makes it more "human" and "honest", then spends loads of money refining it. Must be craving precision crafted dishonesty in his photography these days.

As with most things, isn't the truth somewhere in the middle? True cost/value is very hard to calculate, but we could all benefit by trying a bit harder to get closer to it.

It's all too common to frame the tension as binary: bean counters vs pampered artistes. I've seen it many times and it doesn't lead anywhere useful.

Is it that much different? In the past if you downloaded the wrong file, you could get ads opening constantly, a new toolbar taking over your browser, data scraped and sent off to a mystery server, or have some process maximise your compute.

This accounted for most of the risks on the wild west internet, but the worst case scenario of permanently losing data or having to reinstall Windows was actually rarer than it was made out to be imho.

These days the common risks are the same, except they're no longer risks - all of those have been built into the fabric of everyday internet usage and criminals have been replaced by businesses. It's like the cliche about Vegas being better when it was run by the mob.

Looked this up out of curiosity and came across a non-profit which produces reports on the topic and seems to be the basis for the Wikipedia article on modern slavery.

According to the 2023 Global Slavery Index, 7-8 of the top 10 countries in the world with the highest prevalence of modern slavery have a majority religion of Islam (Mauritania has disputed figures about religious prevalence with Christianity and Islam at similar levels). And none of the countries in the top 10 lowest prevalence have a majority religion of Islam. Prevalence here is used to mean estimated number of people in slavery per 1000 population.

However, the absolute figures for total people affected are proportional to the size of the country, as you would expect, with North Korea and Russia topping the list.

And if you look at driving factors, the US is the leading importer of products at risk of being produced by slavery by an order of magnitude.

https://www.walkfree.org/global-slavery-index/

I think you might be looking at the film through rose tinted glasses without the broader context. Kubrick's films had been nominated for 9 Academy Awards and won 1 (he was personally nominated 3 times) by the time Barry Lyndon started filming. (He had also directed a certain Spartacus.)

Warner Brothers were keen to bankroll whatever he wanted to do, even tolerating moving the country of production due to the Troubles.

He was given some artistic freedom due to previous commercial success - ie. a "data- and money-driven approach". He also really wanted to be making a Napoleon biopic, but financing was pulled when a similar film failed at the box office, so he didn't get it all his own way.

Barry Lyndon was only a modest commercial succes. So much so that Warner Brothers hooked him up with a much safer bet for them for their next venture. He was given unfinished manuscript of The Shining, from the wildy popular best seller King for his next project, which was also simpler to produce ie. "relentless pursuit of revenue".

TLDR Making films is expensive and needs to be a commercial activity, but every now and then there's a fortunate crossover of quality and funding. This still happens but you need to look out for it.