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lkm0

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When 2+2=5 17 days ago

The article paraphrases a blog post: https://layerxsecurity.com/blog/bioshocking-ai-gaming-the-ai...

probably because it justifies the sensationalized title, although the entire content can be summed up as "LLMs don't silo data, that's probably bad."

On the flip side, I thoroughly enjoy the fact that roleplaying in a videogame setting now counts as security research. Looking forward to the arxiv preprint "LLMs start playing really good drums if you pretend you're J.K. Simmons"

accumulated knowledge

my experience is the opposite. Due to LaTeX's arcane scripting and the lack of interest people have in learning it beyond "it compiles on overleaf", I'm seeing a lot of accumulated superstition. People copying and pasting preambles with useless packages, unused newcommands. Worse, people sometimes use their group's newcommands without being aware of the native functions, e.g. \beginmymatrix replacing \begin{pmatrix}. Even if change is slow, any amount of Typst adoption is good.

Claude Fable 5 1 month ago

I'm a bit out of the loop, but do we have some grasp on the size of these closed models? Is the trick still adding an order of magnitude to weights and training data or has something changed?

If you can read French, I recommend Saint-Simon as the quintessential counter-example. In English, I found "Why I Write" by Orwell very entertaining.

I had no idea that LLMs (or the transformer architecture) were within reach of complexity theory. But if transformers "can be" exponentially more succinct than RNNs, doesn't that mean we're approaching optimality?

The article, to me, comes across as focused on art as a job, especially sentences like "greater creativity and success in creative careers". There's a ring of self-help/pop business that just strikes me as artless.

Nothing inherently requires art

Of course not: I've used academic in the precise sense of people deciding to go through the institutions of art, and coming out with a noticeable lack of tasteful intelligence. Is art education just a quest for social self-realization? is it a sinecure for the happy few? That I have no idea illustrates the point.

Certainly, I'm also aware of how difficult it is to implement open dialogue in practice. Perhaps my hope is that general education could help develop that sort of transversal insight that talented scientists use to naturally understand topics which they are not familiar with, by working with analogies and fundamental principles. I know that knowledge of the nitty gritty generally requires years of actually struggling with the thing, and this cannot be asked of any layman. Still, for example, I'm thinking of times when you deal with a topic that is nominally in the same field as yours, but that is so foreign that the only knowledge relevant to it is something barely above undergraduate, say Newton's laws or thermodynamics. Many scientists have managed to either take some lessons from other fields and bring them into theirs, or contribute despite their relative lack of education in that subfield.

I'd like to believe there is a sort of education that allows people not to understand details, but at least to be able to get the rough shape of the topic at hand and shape their ideas in a way that benefits the other party. Perhaps this is just a matter of language and shouldn't need so much more education than the basics and curiosity. Or perhaps it's a pipe dream.

As for the crackpots, well, I know some people spend time and energy with them, but it is hard to believe their true objective is learning or contributing. It is, fortunately, very obvious when you meet one in the wild.

I've always been wondering if the crime matters at all. A lot of people say that going through a trial, even as a victim, is a punishment; it's the process that counts (hence "der prozess"). Perhaps the lack of a stated crime reflects that we the general public never fully understand under which specific provisions someone gets locked up. And so the actual deed may have been done before K. was born, etc.

This whole thing strikes me as coming from the wrong direction. Tying artistic and financial success, trying to apply some cargo cult "problem" engineering mentality to art. I feel like these articles illustrate quite well why the academic plastic arts have become so irrelevant today that we could say they are not part of human culture at large, in the sense that they have vanishing influence on public discourse.

Kafka (who apparently had a great sense of humor) seems to really enjoy writing people who die from too much second guessing. In the trial, K. keep failing by attempting to outplay the system at every step, because he thinks that he can stay above it all (don't we all). It's what you might call an awfully credible idiot plot.

Why put comté and gruyère in two different categories? I just realized that in France the categorization of cheeses is closer to how they are prepared:

- fresh

- soft

- hard but not cooked

- hard and cooked

and it results in entirely different groupings. This will surely make some people unhappy.

To put this in context, we've had a streak of improvements to Shor's algorithm that have put the horizon much closer. In 2022, people from Microsoft estimated that it would take more than 10M (physical) qubits to implement factoring. We're now standing at a 1000x improvement. It's still years away for sure, but who can be unhappy with all that progress?

ms paper: https://arxiv.org/abs/2211.07629

Beyond the data science interest, isn't this sort of charting powered by the "my time's running out and I still haven't left my mark in history" intrusive thought? Purely from a fitting perspective I'd wager the correlation is close to zero, because "major works" will be different in a century, and again changed in two. Shakespeare was not very popular in the 17th per wikipedia. As George Orwell put it, it's much easier to write when you do it for a purpose that matters to you. Hugo wrote Notre-Dame mostly to rant about architecture; creating a major work for the purpose of staving off fears of being forgotten I feel is not enough in itself