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prismatic

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"They present us with a variety of brilliant hues, often of the greatest purity, and combined in striking contrast and conspicuous patterns. Their use depends upon their boldness and visibility, not on the presence of any one color. Hence we find among these groups some of the most exquisitely-colored objects in nature... Conspicuousness being useful, every variation tending to brighter and purer colors was selected."

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www.lrb.co.uk 22h ago

Starveling Rabblement

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theamericanscholar.org 8d ago

Twain Town, USA

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www.newyorker.com 29d ago

Why the Odyssey Keeps Defeating Filmmakers

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harpers.org 1mo ago

Where the Light Falls: Who Was Johannes Vermeer?

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www.newyorker.com 1mo ago

Jackie Gleason's Paranormal Activity

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thelampmagazine.com 1mo ago

Gordon Wood's Proust

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www.theatlantic.com 1mo ago

Why are there so many canines in fine art?

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theamericanscholar.org 1mo ago

On the nature of autobiographical memory

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www.nytimes.com 1mo ago

What Did the Hudson River School Painters See?

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thereader.mitpress.mit.edu 1mo ago

The Melancholy of Slaying Monsters

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publicdomainreview.org 1mo ago

The Prophecies of the Brahan Seer (1877)

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www.statsignificant.com 2mo ago

How Much of the Internet Is AI Slop?

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blog.mozilla.ai 2mo ago

Octonous Open Beta: What We've Learned and Where We're Going

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publicdomainreview.org 2mo ago

Pyramid of the Capitalist System (1911)

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www.theparisreview.org 2mo ago

Wolfgang Koeppen's Structural Musicality

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wsjfreeexpression.substack.com 2mo ago

Little magazines are back

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www.vulture.com 3mo ago

Ben Lerner's Big Feelings

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literaryreview.co.uk 3mo ago

The Soviet Network

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publicdomainreview.org 3mo ago

Doing Impressions: Monet's Early Caricatures (ca. late 1850s)

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www.wsj.com 3mo ago

'True Color' Review: Not-So-Black-and-White

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newrepublic.com 3mo ago

The loneliness of A Room of One’s Own

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harpers.org 4mo ago

Out of Light Adjust Share: Caravaggio, La Tour, and the Art of Attention

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publicdomainreview.org 5mo ago

Sekka Zusetsu: A Book of Snowflakes (1832)

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publicdomainreview.org 5mo ago

Typing for Love or Money: The Hidden Labor Behind Modern Literary Masterpieces

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thepointmag.com 5mo ago

Make Nothing That Isn't Beautiful

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theamericanscholar.org 6mo ago

Back to Bellevue

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www.washingtonpost.com 6mo ago

The hunt for a stolen Jackson Pollock

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sydneyreviewofbooks.com 6mo ago

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literaryreview.co.uk 6mo ago

Varnish and Virtue

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lareviewofbooks.org 6mo ago

Outward Signs of Inner Mysteries

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Agreed. My three-year-old's favorite episode, by far. Realizing how artistically ambitious and just plain good Bluey is has been an interesting lesson in how kids actually do have good taste/interesting preferences as long as you don't bombard them with the Cocomelons of the world.

My daughter likes to say "that makes me happy... and sad!" at the end of a particularly artistic episode, like Sleepytime, the wordless one where it rains, or the final episode ("The Sign" - the Citizen Kane of children's television).

The PDR article doesn't mention any link between them, but Clarke's illustrations look very influenced by Aubrey Beardsley to me. I find both interesting as examples of the kind of thing that minimalist/modernist aesthetics both destroyed and grew out of (in the sense that Beardsley and Clarke both display the Victorian horror vacui and love of ornamentation, but also experiment with huge swathes of empty space):

http://www.victorianweb.org/art/illustration/clarke/decadent...