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Geonode

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Not at all. They want people to experience what they have, but they don't want a small subset of people selling prints, T-shirts, and little statues. From their perspective, they sell excellent quality prints, etc. in the gift shop and online, and the proceeds benefit the collection. So they lock down downloads if they can.

Come on, it's obviously a hardware problem. If phones weighed ten pounds I wouldn't carry that around either.

Great glasses would solve a problem, I could take my stupid phone out of my hand.

And glasses will get replaced by contacts, which get replaced with brainwave tech.

The people who opted out do bear responsibility.

Would he win the popular vote today? Hard to know. Only the kind of people who are willing to talk to pollsters end up in polls.

Both parties tend to claim a high moral position and definitive mandate from a narrow margin of victory.

Talk of suspending mandates, third terms, and invading Greenland are exactly how he keeps winning- talk past your goal, and retreat to victory.

Is this The Onion? I won't even go into how ridiculous the "science" here is, I'll just point out that literally anything pales in comparison to dramatically increasing the money supply, shutting down the economy, and taking no action on compounding inflation.

friendly knuckle cracking I wouldn't normally do this, but I did say I'd die on this hill. I'm a tenured professor of art at a major research university. Firstly, maybe I shouldn't have said "saturated," but then again, you wouldn't argue that your earth tones, for example Yellow Ochre or Burnt Sienna aren't saturated in color?

I have a particular expertise in historical scenic painting, (granted, largely for theatrical and ceremonial practice, but that's where we have the oldest examples of painting a fake thing to look real, see trompe l'oeil https://www.britannica.com/art/trompe-loeil )

In these examples, it's clear that the painters started with relatively saturated midtones, and used washes to take the shadows down and clay filled light colors (think gouache) for the highlights: https://masonicheritagecenter.org/backdrops-gallery/

As to the expense of saturated colors, it's the scholars claiming saturated colors, so the expense was made, obviously. But was yellow the final color, when it is the perfect base coat for a two part skin tone using first yellow, and then pink? In the first image in the article, you can see that half of the face is yellow, but that the other half is light colored skin. This exact theatrical layering practice has been used, first yellow, and then pink.

The fourth and eighth images in the article looks extremely similar to the scenic backdrops I've linked above, but one is from the same time period as these statues, and the other is from hundreds of years later. There is a clear similarity in the final work. I believe it's obvious that both painters used dry pigment mixed down to a thin consistency, and used a series of 5 to 7 quick layers to achieve fast, one session results.

This practice doesn't have anything to do with what we call oil painting today, which can be quite laborious and is normally achieved over multiple sessions. These artists would have wanted to knock out a work and get down off the ladder.

Happy to discuss further, all the best.