One Battle After Another: PTA and the Death of Revolutionary Cinema

https://letterboxd.com/markcira/film/one-battle-after-another/2/

by Rant423 • 10 months ago

24 23 10 months ago

letterboxd.com

BoorishBears6• 10 months ago

I prefer this review for its accuracy: https://boxd.it/beixJD

gjgtcbkj• 10 months ago

Yep really sincere reviews use the word jungle pussy. The right wingers are just grabbing them all the time.

defrost2• 10 months ago

I'll sit out the right|left and racial aspects here and just note that in this film

* Leonardo DiCaprio plays a character named Bob, and

* Shayna McHayle plays a character named Junglepussy

~ https://www.imdb.com/title/tt30144839/fullcredits/

It'd be a poor review that glossed over a films choice and representations of characters, this one's on the director and writer, not the reviewer.

BoorishBears6• 10 months ago

I unironically love that it's so brazen that you thought the review made it up, and I don't blame you.

Mind you it's her stage name, but she typically isn't robbing a bank on stage (her most iconic song is about healthy food at Trader Joes.)

PTA wasn't forced to use the name, but it wreaks of PTA loving the chance to use it while having cover from obvious it is (as you demonstrated)

rakejake4• 10 months ago

The review does not mention Deandra (played by Regina Hall) at all, among other black characters who weren't negative representations per se. Deandra is very prominent in the second act of the movie and her responsibility and dedication to the mission is quite apparent.

BoorishBears6• 10 months ago

It's implied that me and all the people who identify with that review watched the movie, watched her portrayal, and didn't find it to override the issues present.

But if you want to throw the old "there's some good ones", go ahead.

stephen_cagle• 10 months ago

I feel like this review needs a huge amount of context on PTA and his previous films to create any sort of justification for this film. That... that does not seem like a good movie to me.

irons• 10 months ago

You're talking about one of the best-reviewed movies in years. https://www.criterion.com/current/posts/8936-one-rave-after-...

xdennis• 10 months ago

"Emilia Pérez" has 13 oscar nominations. It's the worst film I've ever seen.

Critic reviews mean nothing, because they form a clique which moves simultaneously.

BryantD3• 10 months ago

I think you’re mistaking the review for the movie. The review is written for people with that deep context and with an interest in peeling back all the layers PTA put in his movie. The movie itself works well as an action movie, and works very well as a meditation on the way parents burden their kids, and so on.

weikju• 10 months ago

Paul Thomas Anderson, not parents-teachers association. Had to read a bit till that became obvious

rakejake4• 10 months ago

Reviews are very hit or miss nowadays (mostly miss for me), but the verdict for One Battle After Another is absolutely correct.

For those of you who are on the fence wrt watching this movie, the politics and the revolutionaries simply form the backdrop for the story. The movie is ultimately a chase-thriller and the cinematic pleasure on screen is just incredible. If you are a fan of superbly shot and staged set-pieces, this movie is for you.

brandnewlow• 10 months ago

This movie was great. If you liked thoughtful almost-action movies No Country for Old Men or even something like The Fugitive, you’ll enjoy this. There are cinematic set pieces as beautiful as anything I’ve seen in years (the rooftop sequence!) the acting is stellar throughout, and the finale gives an original take on one of the most common film plot devices of all time.

The film’s politics are very progressive/liberal so I can imagine that deterring some viewers but PTA adds a lot of nuance and subversion throughout that make it more of an examination of radicalism than a straight trumpeting of it. As mentioned in another comment the radical characters often disagree and are shown taking very different strategies that then produce very different outcomes.

One Battle After Another: PTA and the Death of Revolutionary Cinema

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