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imd

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In this case, the digitized font is taken not from the metal types themselves, but from specimens printed on paper. The paper was less uniform and smooth than modern paper, and there was a noticable amount of ink bleed. Since OP is interested in the "character" given to the letterforms by this era of printing technology, it makes sense to suggest some way of simulating this uneven bleed and spread.

Limited indeed. Comic Sans was one of the ~11 web-safe typefaces that you could count on pretty much everyone to have. Now that there's a bunch of good-looking embeddable typefaces, people don't face as much temptation to use shitty Comic Sans.

The evaluations are on "how well algorithms submitted by professional data scientists and amateur statistics wizards could predict the scores assigned by human graders." As long as some humans are always included as a control, this shouldn't be too big of a problem.

Bills Gates never actually said 640k should be enough for anyone. Also, some of the quotes ("I think there’s a world market for about 5 computers") make more sense in context.

A critical thinker would try to find a sentence that sounds best in the active voice, then try to find one that works best in the passive voice. Succeeding both times, he would then conclude that both are useful.

Specifically, the passive voice allows you to mention the action while omitting the actor. This is sometimes useful, other times harmful.

WTF? In the Mirah examples, I see a bunch of

  i = 0
  while i < 10
    ...code...
    i += 1
  end
There's no for loop? I couldn't confirm because I didn't find a manual.

Probably not to conserve space, since who needs the extra 30px on most titlebars? It's just that GNOME like to eliminate everything they possibly can, to look minimalist.